The DJ we play

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Background

The DJ we play

Jerome Sydenham

Award winning and chart topping music visionary DJ/producer Jerome Sydenham is deeply rooted in the music industry. As one of the youngest record executives in New York City, Sydenham launched his career in the A&R department for Atlantic Records moving onto East West Records. He worked with the likes of DAS EFX, Snow and En Vogue (to mention a few). During the the 90s, he embedded himself in the immensely […]

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The DJ we play

Jan Blomqvist

Jan Blomqvist, born in the 80s (not in Sweden) is a Berlin-based solo-artist and bandleader. It was him who invented concert techno: dreamy vocals and simple beats. With his band BLOMQVIST he’s into dancy electro-pop, as a solo-artist, he plays clubsoul. As a kid Jan never cried, just sang. His hippie parents approved and bought him his first guitar. Just as he had learned to play like Keith Richards, he […]

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The DJ we play

Radio Slave

As Matthew E he fashions club-based, dancefloor slayers. Under that aegis he’s updated the classic Chi-town, jackin’ sound beloved of house aficionados and layered it with fractured funk, belligerent, oddball beats and mechanical soul. If Matthew E is all about the Saturday Night Fever, then, by contrast, Rekid is the slower, more deliberate, rhythmical funk of the mid-week mayhem. Its well-intentioned muscular intensity making it perfect soulful sustenance. Quiet Village […]

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The DJ we play

Roy Davis Jr

Davis grew up in Chicago, Illinois, and was turned on to house music at an early age by the likes of Lil' Louis, DJ Pierre, Farley Keith (Farley Jackmaster Funk) & Marshall Jefferson. Davis began his own production company named Phuture in the late 1980s and went on to become an A&R scout for record label Strictly Rhythm in NYC whilst also running his Chicago founded record label Undaground Therapy […]

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The DJ we play

DJ Marco Bailey

Icon. Living legend. Both definitions that apply to Marco Bailey, a self-taught dj and producer whose career started to develop in the late 80s after attending a local club in his native Belgium, and being completely seduced by the rhythmic power of dance music. That was when all changed. A first approach that triggered the decision to be behind decks instead of the dancefloor. And since then, he has committed […]

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The DJ we play

Mark Knight

Armed with a musical library that knows no boundaries, a consistent run of hits and chart-topping ventures alike, the success of Knight’s recording career is matched only by the credibility and integrity maintained throughout his discography to date. Heard through a spread of popular releases (‘Man With The Red Face,’ ‘Alright’) and high profile remixes (Basement Jaxx, Chris Malinchak), further work alongside both Faithless and Underworld has sealed a diverse […]

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The DJ we play

Ninetoes

Ninetoes arrived on the house music scene with a bang in 2013. His track ‘Finder’ set Ibiza on fire that season, being the most Shazam’d track on the island that year. This left dance music connoisseurs around the world are asking themselves, “Who is this Ninetoes guy?” It was like he appeared out of nowhere and was immediately getting spins and recognition from a variety of highly decorated DJ’s such […]

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The DJ we play

T78

His unique way and approach of techno combined with his outstanding level of production quality made him rise rapidly in the scene. His skills are not limited to producing. He is also a highly skilled DJ! T78 sets are exciting, filled with his productions like Blast-Attak, Fisto, Acid Lick and the remix of “All the hurts we made” for the legendary Moby, combined with exclusive tracks from fellow producing friends. […]

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The DJ we play

Solomum

Music triggers emotions and vice versa, and this sort of interrelation – with Solomun representing the music and the audience emotions – is what casts the spell around his performances. His “Solomun +1” residency at Pacha Ibiza started in quite a laid-back fashion – with him doing his own thing, moving the DJ booth into the centre of the club to be close to the people on the dancefloor instead […]

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